I want autumn and wearing layers and pulling out things made of wool.
Speaking of wool, I am wearing new sneakers made of wool today, for which I paid full price and I don't care because my poor arthritic foot bones are loving them so very much. The tops are soft! The insides are soft! There appears to be adequate support! They are from Allbirds and I never want to take them off. For the most part, they are not too hot, though I haven't tried them standing in the high humidity all day yet.
I am tempted to buy a pair of the loungers as well, for dayjob wear. (I snuck the sneakers in today because it's Friday and also hardly anyone is here.)
I’m back from Boston! I had a lovely time going to Readercon and writing and seeing friends and riding back and forth on the T and wandering up and down Mass Ave. I am now convinced that wandering up and down Mass Ave is a substantial part of what you do in Boston. Things are there. Also, every time you come out of the Harvard T, there is Greer Gilman, so it is written and so it must be.
But other, less eternal things are written, and you can read them! Such as this interview about my story in the July/August issue of F&SF. Interview with me! Things you might want to know! or maybe not, but there it is anyway.
I answered these interview questions in the spring, and one of the things they’re showing me now is that life moves fast. Well. I knew that. And if it’s going to move fast and smell all right while it goes, I’d better get a load of laundry in. More, much more, soon, now that I’m home for awhile.
I've been very lazy (also injured) this summer, and I could really feel it as I exercised. But as usual, the first set of push-ups was the worst, and they were less painful after that. I even did one set with my hands close together, which is the hardest for me. My wrists are no worse than usual this morning. My fingers are pretty swollen and not very bendy this morning. The high humidity today might be contributing.
Today is the staff luncheon, and then my group is leaving to do a team-building thing. Tonight, dinner at Kabobeesh. I don't think I will get much done.
So far I've played games with both swampers and danieldwilliam and both of them picked it up quickly and enjoyed playing it.
It's based (surprisingly enough) on the idea behind dominoes - or, at least, the part of dominoes where you have tiles with two ends and need to match them against each other. In this case the different ends are different terrains (grass, mountain, etc), and you score by forming areas of the same terrain*. Each turn you have to make a judgement between going for the tiles that score the highest, versus going for lower-scoring tiles which allow you make the first move the next turn.
I enjoyed it, and I'm definitely taking it on holiday. If you're looking for a filler game then it'll do a great job of that.
*It's a bit more complex than that, but not a lot.
47 people clicked through to that post from Facebook. 5 from Twitter.
The 5 from Twitter all did so within an hour of the post going up.
The 47 from Facebook did so over the course of the following 12 hours (19 of them within an hour, but then an ongoing curve downwards).
Which indicates to me that Facebook does a pretty good job of knowing when something is interesting to my friends, and keeping it "active" for a while, whereas Twitter sweeps it away near-instantly, and unless it really grabs people it's gone.
And looking at my overall referrer stats, Facebook gets between three and six times the number of clicks that Twitter does.
(Just had a look at my actual LJ statistics too - yesterday I had 145 readers, of which 100-ish were reading via their friends-page and 45 were going direct to my posts/journal. Sadly I don't get the same info from DW, but Google Analytics tells me that 78 people visited that post on DW.)
These are all great pens, but the truth is I have a fair number of great pens and these are ones that simply aren't making it into my rotation. I'd rather someone else get some enjoyment out of them!
All prices include shipping within the continental USA. Elsewhere, please inquire--I will probably have to charge you shipping at cost. I accept payment via Paypal.
If interested, either leave a comment or email me (yoon at yoonhalee dot com).
From left to right:
1. Wahl-Eversharp Doric in Kashmir (a sort of dark swirly marbled green). Lever filler. The great thing about this pen is that it has a #3 adjustable nib. It goes from Fine to Broad on the flexiest setting. The only reason I'm letting this go is that I have a Wahl-Eversharp Doric in black with a #7 adjustable nib, and I honestly don't need two adjustable Dorics.
Please note that the #3 Doric is a petite pen--unless you have very small hands, you will probably want to use this posted.
NOTE: troisroyaumes gets first call on this one. If she doesn't want it, then someone else can have it!
2. Waterman Lady Patricia that I bought from Mauricio Aguilar of Vintage Fountain Pens. He graded it a superflex, and it's a pleasurable and absolutely reliable writer; I've always had great experiences with the pens I've bought from Mauricio. Lever filler. Again, this is a lovely pen that I simply don't use--in this case because I'm busy using a different pen that I bought from Mauricio, a Waterman 52V (for which Jedao's Patterner 52 was named :p). Like the #3 Doric, this is a petite pen, and probably best used posted unless you have very small hands.
This is a handsome pen with green and brown swirls, and I love looking at it, but I really prefer for all my pens to be working pens that get used. Maybe you can have fun with it!
3. Conklin Crescent Filler--the crescent filling mechanism is not that different from lever filling and is very simple to use, and really neat if you love geeking out about different filling mechanisms. This is a wet noodle that does hairlines, if you're into flex writing or copperplate; I probably wouldn't recommend it for sketching because of the fineness of the nib, but it would make a great fountain pen for non-sketch-speed line art.
4. Osmia 34 in gray candy. This is a very flexy nib that goes from Fine to Broad, and unusually, it's in a piston filler. Please note that the material is discolored along about half the barrel (ambering)--this doesn't affect the pen's functionality, although if you care more about aesthetics this is not the pen for you. This nib has an almost painterly feel to it that is very pleasurable for writing.
5. The last two are a Sheaffer Balance in Marine Green, fountain pen and mechanical pencil set. The fountain pen is a lever filler and has a flex nib; I'm not sure what width graphite the pencil takes, although it comes loaded with one. The set is very handsome; please note that the fountain pen has a chip near the lever. This doesn't affect function but may be an aesthetic concern.
A few of the essays didn't speak to me personally, but that's fine--for example, there was one about adventure games through the lens of the Monkey Island games, which I did play, but I didn't imprint on the genre. It's not that it was a bad essay, but rather that it was a type of gaming experience I just wasn't as interested in. And that's fine; for some other reader that could be entirely their thing.
Here's a rundown:
( cut for length )
To sum up: highly recommended.
Raven Stratagem by Yoon Ha Lee is more straightforwardly comprehensible than Ninefox Gambit, but still had lots of wonderfully weird worldbuilding and characters with complex motivations. Plus, there were a couple of moments where I said, "Whoa. Wow," which I will not spoil here. Two books in, I still think this is one of the most creative science fiction worlds I've read in a long while.
I finished Raven Stratagem on Monday, my recovery day from Readercon, and then dove into The Strange Case of the Alchemist's Daughter by Theodora Goss, which I finished last night, and which is about monsters and about women, and how they can be the same thing. I think if you like Karen Joy Fowler's work, you might like this, and also if you love meta and revisionist tales and/or things set in Victorian England and relating to the stories of the nineteenth century. Goss works with female creations of fictional scientists (or hypothetical female creations/daughters) from The Strange Case of Dr. Jekyll and Mr. Hyde, Frankenstein, The Island of Dr. Moreau, and "Rappaccini's Daughter" by Nathaniel Hawthorne (which I have not read). Also, Holmes and Watson are in it, because of course they are. But overall, this is a meta novel, periodically festooned with commentary from the female characters about themselves, their stories, how their stories are told, and the idea of what a novel should be and how it should be written. And besides all that, it was fun. Highly recommended, because I think a lot of my Dreamwidth friends would like this, and I would love to hear what you think about it even if you don't like it.
Having downloaded a bunch of public domain books, I then went looking for the proper cover art. Interestingly, although I am convinced I owned mid-1970s editions of both Blackman's Burden and Border, Breed nor Birth, I can find no evidence those editions actually existed.
Another interesting thing. This is the list of science fiction books on PG and this is the list of science fiction works by women on PG.